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Titan
by Matt
Dixon, April '09 ![]() All Photos by Burkhard Müller (facetheshow.com)
His
Eminence from Split with June Paik 1. It's safe to
say that you don't waste any time. In just a few short years you've
released a 12" EP, a split 12" with the amazing June Paik,
a split 7" with In First Person, not to mention seemingly relentless
touring; all the while remaining dedicated to the DIY ethic and being
quite vocal about it. I have a lot I want to get to; but I'd like
to begin the interview by getting your impressions of what Titan means
to you and what drives you to work so hard at your craft. I can really only speak for myself when I talk about what Titan means to me. I think we all probably have different ideas and interpretations of what we do and what drives us. For me Titan is pretty cathartic. Writing songs and playing shows is a release; a way to just pour out all the stress and the bullshit. We've become like family over these last 3 years, we've really grown together through a lot of hard times and shitty situations, so on another level Titan means family to me. As far as what drives me, I don't exactly know what it is. There's just something inside me that won't let me give us. When past bands have broken up, I've always been looking forward towards the next project. There's some part of me that finds fulfillment in the act of making music with other people. And when you create something that you're proud of, you want to show it to other people. The only real way to show other people is to tour. I mean, the internet is great and all, but it's just not the same as playing live or seeing a band live. Not too mention, playing shows and touring is way more fun than our "regular" jobs! I've met so many great people through touring and made some really close friends. 2. I'd like to
expand on the touring aspect of the band a little bit further. I've
noticed your tour itineraries tend to include a number of house shows
and shows at DIY spaces. Could you please explain your relationship
with the DIY ethic and how it has influenced the band and how it goes
about its business (putting out records, booking tours, etc). As far as DIY goes, I've always had a close relationship with it. But I'm careful to be critical of it as well. I really don't think DIY should be taken literally, where some band would do -everything- themselves. One of my favourite parts of being involved in music is the community that is associated with it. So when it comes to putting our records, we'd much rather work with labels that are our friends than release our records by ourselves. I love being able to work together with people where we all benefit, rather than focusing on doing it ourselves. Maybe some people disagree with it, but that's my interpretation of it at least. We've done a bunch of records with React with Protest now, and they're basically like family to us. We stayed with them at their house for at least a week while we were in Europe and they really welcomed us with open arms and treated us as though we had been friends for years. For the most part we take care of our own booking. Over the years I've gotten a pretty awesome network of friends who are always more than happy hook us up with a show when we're passing through their town. The best part about booking with friends is that they never judge you or get pissed when your cheap ass van breaks down in the middle of nowhere and you have to miss the show! haha. For me it all comes down to that network, that community. I've met so many awesome people and made a lot of lasting friendships. I guess that sums up my relationship with DIY. 3. I want to talk
about the European tour, but first I'm glad you mentioned React With
Protest because I would like to get into your relationship with them
a little bit. They've done quite a few good things and have been involved
with a lot of rad bands: Ottawa's Buried Inside, Italy's La Quiete,
Raein (also from Italy), Utarid from Malaysia, Louise Cyphre, Merkit,
the list goes on and on. How did you first get involved with the label
and how did your relationship flourish to where it is now; putting
out records together and as you said regarding them as family?
4. I look at the bands they've (React With Protest) worked with
and it strikes me as essentially a sample of everything that is right
about punk / hc today. How does it feel to be listed alongside such
fantastic bands from all over the world? I'm going to put you on the
spot here and ask who your top three React With Protest bands are. When we played Cry Me a River Fest, almost all of the active React with Protest bands played. It was awesome to get to see them all and to have been able to play with bands from all over Europe and North America. 5. Speaking briefly now of your European tour; how long were
you there for and how did you find the European crowds? What were
your favourite cities to play? Apart from staying at the React With
Protest house; do you have any tour stories you'd like to share? 6. Wow, those sound like some
wild times! With that in mind... could you explain what happened at
the Annex Wreck Room and is it true you were responsible for the power
outage in the Bathurst and Bloor area? 7. I'd like to get into your
latest record Colossus. Could you tell me about the writing process
with this one and the growth of your seemingly ever evolving sound.
What brought about the decision to add a second guitarist? Also around the time that we got a second guitar player, we all really started getting concerned with our tone and trying to find the heaviest most crushing tone that we can. We're all on the quest for tone Our writing process usually starts with me having the main riff of the song, sometimes I'll have a rough sketch of a few parts. We'll jam it out and everyone will throw in their two cents. Aleks and Brandon are pretty good at coming up with complimentary parts and some times stuff Aleks writes on the bass gets turned into a guitar riff. James usually tosses in his input on the songs, he's really the one who pushes us to get our best out. James writes his lyrics independentally and arranges all of his vocals and the backup vocals on his own. Once we have some songs together, we'll usually do some pre-production so we can actually hear what it sounds like. Then we'll start playing some songs live, because playing them live always seems to change some parts here and there. 8. Apart from continuing the
search for that ideal tone; where do you think 2009 will take you
as a band? What future plans do you have? 9. The end of civilization
will be caused by? 10. Any final words? Everyone should check out/support these awesome bands: Listen
to Titan:
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